Page 78 - Reggae Festival Guide Magazine 2017
P. 78

graphics took over the industry, his yard-toon

                                                                                drawings  and  instantly  recognizable  hand-

                                                                                lettered covers assured you the album in your
                                                                                hands  was “the  real  deal,”  straight  from  the

                                                                                music’s country of origin.


                                                                                Clearly a labor of love from people who know

                                                                                and love the artist’s work, with a forward from

                                                                                Beth Lesser, short essays from Dr. Donna Hope
                                                                                and  contemporary  cover  artist  Orville “Bagga”

                                                                                Case, and informed and entertaining text with

                                                                                hundreds of beautiful illustrations in Limonious’

                                                                                brilliant colors, this is a beautiful tribute to one
                                                                                of  Jamaica’s  unique  artists  and  eras.  Over  100

                                                                                pages  of  the  book  feature  the  artist’s  classic

                                                                                album  covers.  Often  when  photographs  of

                                                                                singers  and  DJs  grace  the  front  (with  layout
                                                                                and  lettering  from  Limonious),  his  back-cover

                                                                                cartoons  are  even  more  striking. Whether  you

                                                                                own the original album releases or not, you’ll be

                                                                                amazed at the depth and breadth of this artist’s
                                                                                contribution to the music and culture of Jamaica.


         the  public.  One  artist,  more  than  any  other,  The Small Axe Guide to



         helped to define the dancehall era: Jamaican                           Dancehall 1979-1985

         cartoonist Wilfrid Limonious. His life and work

         are  celebrated  in  this  gorgeous  coffee-table                      By Ray Hurford
         book, presenting some of his greatest album                            (Muzik Tree/I Am the Gorgon

         covers  and  including  early  cartoons,  comic                        www.muziktree.co.uk, 2016)     

         strips,  pen-and-ink  illustrations,  color  mock-

         ups,  hand-drawn  designs  for  seven-inch                             Ray  Hurford’s  growing  series  of  Small  Axe
         singles, event posters and cassettes, as well as                       Guides cover each era of Jamaican music in a

         some of his later, more serious “night time art.”                      unique  manner:  whatever  music  was  issued
                                                                                during that period of time is included in each
         Limonious  displayed  his  wicked  sense  of                           book whether or not it’s actually in that “style.”

         humor  and  feel  for  the  “yard”  vibe  while                        Thus, this guide to the dancehall era includes

         helping to define an entire era of music. His                          albums and artists you might not think of as
         earliest cartoons appeared in The Star around                          “dancehall.” Since dancehall was the dominant

         1970 and he continued to work up to his death                          style of this era, the bulk of the profiles chart

         in 1999, but it was as the main illustrator of                         the early history of that music, but it’s a great

         the  early  dancehall  era  of  the  ‘80s  that  he                    reminder  that  there  was  also  a  good  deal  of
         left  his  indelible  mark.  Before  computerized                      solid roots music issued in those years. 






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