Page 100 - Reggae Festival Guide Magazine 2019
P. 100

These  new  sounds  began  to  break  out  of  West  essay  or  an  encyclopaedic  trawl  through  music

         Indian communities and into the hearts and minds  history.  There  is  only  so  much  you  can  analyze

         of the white working class.                                            the music and pick it apart before you lose sight

                                                                                of the point completely. The aim was to make the
         For the first time, a new sound was uniting white and

         Black youth and ‘Trojan Skinhead’ culture began to                     audience feel as immersed in the music as much

         take root and flourish from this new shared musical                    as  possible,  understand  the  emotional  human
         identity. We wanted to track the Trojan story from                     narratives  underpinning  the  recordings  and  to

         its  roots  in  the  sound-systems  of  post-colonial                  live  and  breathe  the  tracks  from  their  moment

         Jamaica, through to the foundation of the label in                     of creation, right through to their projection into

         London, leading to its eventual take-over of British                   popular culture.”

         youth  culture  soon  after  –  a  journey  that  would  But  with  the  approach  and  script  established,

         lead us to better understand and appreciate how  Davies now faced another significant challenge.
         we arrived at the multicultural society many take  Reflecting  the  general  lack  of  any  mainstream

         for granted today.”                                                    interest in Jamaican music outside the Caribbean

                                                                                prior  to  the  dawn  of  the ‘70s,  precious  little  in
         Having decided upon the themes that required

         further exploration, Davies and the Pulse team                         the way of footage exists of its key protagonists.

         then faced the not insubstantial problem of how                        While such an impediment would have led many

         best to relate the story:                                              to change their whole approach, the Pulse team
                                                                                remained undaunted:

         “Very  early  on,  we  decided  to  locate  the  story  in

         the  moment  as  much  as  possible.  Rather  than  a                  “One  of  the  key  challenges  with  our  immersive

         cast of experts and journalists talking hazily about                   and experiential approach was a lack of archival
         how  great  the  past  was  and  who  played  what                     material relating to the key figures in the narrative.

         instrument,  we  wanted  to  situate  the  audience                    Scant footage or imagery exists of early legendary

         right in the middle of the shebeen, the studio, the                    figures such as Duke Reid, or even Trojan founder

         dancefloor, the stage. We were determined to tell                      himself, Lee Gopthal.

         a tale and enjoy the often-mythological stories of  In  order  to  bring  these  figures  and  stories  to  life,
         these incredible artists, rather than just deliver an  our idea was to cast young British and Jamaican





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