Page 38 - Reggae Festival Guide Magazine 2018
P. 38

Reggae and Visas








           for Work in the United States



           – A Reality Check








                                                             By lloyd stanbury
         T             he U.S. music market is the largest in  The laws of America require foreign artists and





                       the world, with live music revenues  entertainers who intend to work in the U.S. to

                                                                                apply  through  the  office  of  the  United  States
                       more  than  triple,  and  recorded
                       music  revenues  almost  double,  the

                                                                                guest artists must normally obtain one of the
         revenues  of  any  other  country.  I  often  hear                     Citizenship  and  Immigration  Services.  Foreign
         the suggestion that foreign reggae artists who                         following types of work visas:

         represent Rastafari should look to other markets to                    •  O-1 or O-2 Visas for Individuals with

         travel and work as performers, because the U.S.                            Extraordinary Ability or Achievement;

         music industry is representative of the “Babylon                       •  P-1B Visa for a Member of an Internationally

         System.”  There  may,  however,  be  additional                            Recognized Entertainment Group;

         reasons  encouraging  foreign  reggae  artists
         to  look  to  other  markets  for  employment.                         •  P-2 Visa for an Individual Performer or Part

         The  economic  and  political  dynamics  of  the                           of a Group Entering to Perform Under a

         American reggae festival scene make the above                              Reciprocal Exchange Program; or

         statements even more interesting.                                      •  P-3 Visa for an Artist or Entertainer Coming


         Over the past 10 years, the reggae festival circuit                        to be Part of a Culturally Unique Program.

         in the U.S. has grown with the emergence of  Each of these temporary work visas is appropriate

         several  new  and  successful  events.  Reggae  in different situations and filing for the wrong

         On  The  Mountain  was  started  in  Topanga,  type of visa can significantly delay an entertainer’s
         CA, in 2009, California Roots was started in  entrance into the country.


         Monterey, CA, in 2010, Reggae Rise Up in St.                           Despite a long tradition of live performances
         Petersburg, FL, in 2015 and the Marley Brothers                        and touring in the U.S. by Jamaican and other

         staged the first Kaya Fest in Miami in 2017.                           foreign  reggae  artists,  some  performers,

         Along with older events such as Reggae on                              artist  managers,  booking  agents  and  event

         the River (now run by High Times Media), the                           promoters remain unaware when it comes to

         Sierra Nevada World Music Festival and the                             compliance with the law that governs foreign

         Austin  Reggae  Festival,  the  U.S.  market  is  entertainment workers. In order to secure a U.S.

         clearly demonstrating increased demand for  work visa, performers must be able to qualify
         live reggae performers.                                                under one of the four categories mentioned.





         38     Reggae Festival guide 2018
   33   34   35   36   37   38   39   40   41   42   43